Drops of Blood

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Quote for Writers

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English - it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them - then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice. — Mark Twain

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What Reader Complaints Mean to Me

February 10, 2008 by Carolyn Bahm

Fielding complaints is just part of the writer’s job — deflecting the anger and keeping the useful bits. I have made my living writing or editing for newspapers, magazines, universities, or corporations since 1985. I’m currently working on a novel, too. I’m a careful writer but I’m also part of a team, and mistakes can crop up anywhere from the typing to the delivery of the finished product.

And it’s my name on that story.

Whoever is in front of an angry reader will get blistered ears, particularly the writer. And I’m no doormat. I have quietly hung up on people after politely telling them to please call back when they have better control of their emotions and their vocabulary. And I’ve taken stewing people to a private meeting room so they can yell in quasi-privacy instead of at my cubicle. But mostly I’ve just listened without interrupting or justifying. That’s usually enough.

Want some specifics? Never let it be said that readers don’t notice the details. Here are a few stories from my journalism days:

Case #1: The Dotty Bride. A furious bride-to-be and her equally furious mother stood white-lipped and QUIVERING beside my computer, livid about an engagement photo … which, um, they provided, and which I used. The problem? Another bride from that same small town had worn the same polka-dotted dress in her photo and we placed the announcements fairly close together on the page. People would think she was just COPYING that other girl! She could just DIE from embarrassment! They tag-teamed me with a long and winding story about the travails of finding a nice dress in a small town with just one nice dress shop, the sneakiness of other brides, and the clear incompetence of journalists in general and my newspaper in particular.

*sigh* At the time, we used a wax paste-up system to place text and pictures on the page before we burned a metal plate to print the page. Photos were pasted in beside the write-ups late in the production process; no one noticed the dotty girls … or thought anyone would have such a conniption about it.

Case #2: Bad Schooling. Someone at my office typed in a wedding announcement based on a completed form, accidentally inserting an “a” in front of the high school name. Here came another screeching bride, angry that people would think she went to the public county high school when she actually went to the private school of a very similar name. (Or vice versa … I don’t recall the details.) The nerve of me! Her entire family subscribed to the paper and had been readers for TWENTY-ONE YEARS. She stomped her foot. She shook her purse. Did I know anything about journalism? Did I care about my readers? Was I a COMPLETE idiot? (No ma’am. Not a complete one. Partial, of course — sure.)

Case #3: A Comma Complaint. Another furious reader lodged a rant-filled complaint against one of my co-workers. Seems that a cutline beneath a photo listed Mr. Ranter and the Ex-Mrs.-Ranter, and the typesetter had the blooming nerve to omit a comma between their names … clearly implying to our newspaper’s entire readership that they were STILL TOGETHER. The nerve! The stupidity! The maliciousness! Who was it who put us up to this? Oh, yes, he assured us, he was nobody’s fool — he was astute enough to know that it was deliberate, with malice aforethought. (Note: Actually it was Associated Press style at the time — no serial commas.)

Dude called the writer, the section editor, the managing editor, the editor, and the publisher to demand a retraction. (We began to understand why the couple were no longer together.)

What It Means to Me

Some of the people who read your work are going to have different opinions, some are mentally imbalanced, some are going to be careless readers, and some are going to read into the tiniest minutia of your story the wackiest things that you did not intend. Other than being a careful writer and a responsible, caring person who fixes errors promptly, there’s just nothing you can do. That is, beyond wiping the ranter’s spittle from your face (metaphorically speaking) and saying, “I’m sorry this has been such a bad experience for you.”

Losing your temper too doesn’t help the other person cool down, doesn’t help your reputation (and you’d better believe they’ll share the story if you bridle at their criticism), and doesn’t give you the secret smug satisfaction of keeping cool under severe provocation. I got annoyed back at a person or two early in my career and quickly learned that at least one of us had to act like the grownup.

Besides …

Readers are going to see what they want (or fear) to see. And buddy, do they ever care about the precision of your writing when it touches their lives directly. I think that applies for fiction readers as well as newspaper readers. I recall being so bitterly disappointed with one magnificent author’s dismal second book that I tore it into pieces and threw it away instead of selling or giving it away like I did most of my other paperbacks because I didn’t want anyone else to have to read it. And then I wrote him to tell him so. (Oh, the shame.)

I’ve actually written to a couple of authors when in that frame of mind, saying how much I loved the rest of their work and how much I disliked their latest book. Both were kind enough to write back courteously, keeping me as a lifelong reader (and putting a bit of a blush on my face for my own cheekiness):

  • One had a funny story about a former teacher — a disappointed reader who actually returned that book to him, saying she’d rather have two copies of his first book.
  • The other author said he was sorry I was so disappointed about the turn this series was taking, and he explained what he’d been shooting for. I got a glimpse into the writing mind of a favorite author — a courtesy he really didn’t owe me at all — and I understood the arc of the series much better.

Those are pros. And I’ve admired them ever since.

Here’s what I take away from these experiences: Getting negative feedback is no picnic. Maybe the person is just flat wrong, or maybe the person is right but is still being a jerk. Try to listen with your emotions disengaged, and remember: That’s a reader who is totally engaged, who knows that your words have impact, and who believes you are receptive enough to consider his point. It’s a hurt and pissed-off reader, but one loyal enough to do more than just delete your name from his must-read list.

P.S. You begin to understand why I’ve got a veeeery thick skin when it comes to writing, don’t you!

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Prediction: Fickle but Enthusiastic Cross-Genre Readers

January 25, 2006 by Carolyn Bahm

(This post was transferred from my now-defunct “Unshelved Writing Goals” blog.)

Fascinating post over on S.L. Viehl’s blog, Paperback Writer, about what the next hot publishing trend will be. Check it out; it’s one of many interesting topics on a very cool blog. My response was too long to put there, especially since I just bent their ears in response to a question about pet peeves. ;o) So I moved my chattiness on over to my own blog to respond: I agree 100% with PBW’s posters who believe genre-bending “fusion” books will be the hotties of the future.

I think it’s a logical outcome of how people are becoming more cosmopolitan as they read and listen to new input from blogs, podcasts and the web at large. (That word isn’t quite right … cosmopolitan. I don’t mean to imply sophistication — just an openness to new reading experiences and new topics and new ways of thinking.) My lengthy blogroll include medicine, comedy, knitting, journalism, religion, gay rights, feminism and more. Some defy categorization. And my podcast subscriptions range from serialized science fiction stories to NPR puzzles and etymology data dives. Serious. Web. Nerd.

And it affects my reading. I personally have an overflowing bookmarks folder tagged “books I’m dying to read” based just on the person-to-person buzz I’ve heard online — not to mention the list of book titles jotted down and tucked in my purse while I’m listening to podcasts. (Update 6-10-07: Now I keep a running list in my BlackBerry — perfect for quick bookstore trips.) And these are authors I might never have even spotted otherwise — and genres I might never have read. I suspect there are others out there like me who are discovering the special charms of new genres and are becoming accustomed to taking risks in new reading material.

The only hitch I see in a fusion boom is that people can get overloaded in all the heady excitement of discovering what’s new. You know what I mean, or is it just me who dives headfirst into every pool? It used to just be e-mail lists, and then I finally learned to ruthlessly pare those down. Then it was blogs. I’m still in the denial stage of blog bloat: First I started out reading 20-30 blogs a day. Now I skim some blogs rapidly for info and take the time to read a beloved few in depth (usually the funny or heartwarming ones), and I muscle through 200-250 blogs most days. If I haven’t caught up on my reading by the weekend, I dump the backlog and just start fresh with their new postings, or else I’d go nuts. Right now, I’m near the end of my comfort range, and soon I’m going to weed ‘em all out with a heavy hand. (Does this all sound like “I’ll sober up tomorrow?” Not a bad analogy, actually. When it comes to justifying my reading, podsurfing and blogging, I’m sort of like the drunk who says, “Yeah, I drink til I throw up in the toilet, but I never miss the toilet.”)

Oh, and don’t think I’m being overly virtuous when I describe how I manage my blog-reading excesses. I just have to have some time for my podcasts. *sheepish grin* I subscribe to too many of those, too. Mostly about writing, of course. Important research! Yeah!

I suppose if I’m going to make my writing resolution come true this year, I will have to pare down my absorption of others’ output so that I have some quiet time to generate my own. And it’s going to be terribly hard to wean away from the blogs and podcasts that I love. And, to circle back to my original point (my point … remember that?) I suspect that we’ll see a rapid cycling of reader interests that fluctuate like mine, somewhat independently of the value of a particular book or author or genre — fluctuating based on each reader’s perceptions of story hunger or information overload. The audience will be waxing and waning in various new topics and new combinations of topics, but the good news is that new readers will be surging in while the tired older ones are backing away for a while. Perhaps the readership will be more fickle, but I see a broader readership base coming for many genres. How cool is that?

Just my world view, anyway. Speaking solely as a lone reader-blogger-podsurfing-geek-writer wannabe ( no, … GONNAbe), of course.

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